Hello, everybody! This is a follow-up post of my Fujifilm Natura review from a few weeks back. The previous part showed how this film looks like in a crowded Tokyo alley lined with all the vivid colours and shades that you will find in a techno-punk scene and in this article I will show you more low-light scenarios where this film will be handy. Before anything else, I would like you to know that I process my film after I digitize them and part of the process is to colour-correct my pictures.
Other than that, everything is pretty straight. I do not even add or remove sharpness or meddle with the noise reduction for all of my digitized film. The samples above were shot in the shade in midday and during the late afternoon when the sun is almost gone. While Natura is a great performing film in many conditions, it is not ideal to shoot it in these scenarios as there are better film for this as you can see in the shadow areas where it can look muddy.
The portrait of a female busker looks great but this is more of an exception because we do not have anything directly in the shadows in that picture. The pictures above were shot at night and this is what Natura is made for. As mentioned in part 1Natura loves is a film that loves to be overexposed in scenes like this!
The pictures were mostly over-exposed by a stop or more except for the picture of the famous Shinjuku Tiger Maskwho is kind of a local celebrity here. Notice how the picture looks a bit muddy. Skin looks like skin instead of boiled seafood or bread. I intentionally shot this person just so I can show you show Natura handles people with darker skin.
See how natural it is? I am aware that I wasted a frame for this but never mind that. Dude sure looks happy! Here are scenes shot with high luminance contrast.
OK, I just made up that term but all I want to say is that the scene has both dark and really bright elements. Natura looks great in this and it can handle it really well where some daylight films will look muddy.I spent five of ten vacation days shooting a Fujifilm Natura Black F1.
I also spent five of ten vacation days with flu-like symptoms.
With the sickness, I stubbornly forced myself to have fun while doing my best to ignore fleeting spasms of misery in the form of sweats, nausea, and occasional dizziness. With the camera, I stubbornly forced myself to have fun while doing my best to ignore fleeting spasms of misery in the form of distortion, a confoundingly wide lens, and egregious vignetting.
You try to come up with a new way to talk about cameras every two days. Indeed it had no real competition, for two reasons. In addition to this rather outrageous combination of ultra-wide lens and super-fast aperture, the camera offers something more. With this combination of programming for low-light photography and ultra fast optics, the Natura S was and remains a camera with no real equal, and one that most photo geeks in-the-know assume to be the best low-light compact film camera ever made.
The camera was made in Japan and Fujifilm never sold it anywhere else. Naturally its menus and controls are labeled in Japanese syllabaries. Press it and the camera comes to life. The lens cover retracts with a delicious Thwick! The only other control is fairly obvious — a directional pad and a centralized select button.
For shooters looking to adjust settings, this will become familiar very quickly. It controls the readout on the massive LCD display, and allows us to adjust every adjustment that the Fuji Natura allows us to adjust.
Pressing the centralized select button activates the menu adjustment mode. The top menu adjustment item shows a number of flash option symbols, and thus, is the flash control auto, off, daylight and night modes, etc.
Just below that we find self-timer and remote timer icons — pretty obvious. Below that is a toggle-able menu that switches between Autofocus or an infinity focus lock denoted by a mountain Fujiyama, if I had to guess.
And below that the final menu item we find the exposure compensation readout, adjusted via the left and right directional pads. It reads as more complicated than it is even if it reads pretty simply. Shooters who are interested in this camera should not be worried over being lost in a Japanese menu.Hello, everybody!
How are you tonight?
Fuji Natura S – Limited Edition
I am going to write something about a film stock I use occasionally here in Japan. This is my first film review here on my blog.
Read along and enjoy! Tonight, we are going to talk about that elusive film outside of Japan from Fujifilm and it goes by the name Natura ! Again, take my words with a grain of salt! Try it yourself! I chose to shoot with Natura because I bought the camera from the junk shop at night and I wanted to test it as soon as possible so I will expose any problems this camera has.
I am thankful that the camera works as intended and is in better shape than the F4S that I had years ago! Fujifilm Natura is a film that was developed to work with the Natura 35mm camera. The film stock outlasted the camera and it is still around today for us to enjoy! I was told that this film can be hard to buy overseas and is sold at almost 2x the price JPY here.Lee 9mm 3 die set
A sample of an overexposed scene. See how Natura loves to be overexposed in night scenes. Sorry, no artistic value, just testing out my new camera. As with most, if not all C41 process films, Fujifilm Natura loves to be overexposed a bit. This image should give you a good idea of how this film behaves because you can see 3 things going on here. You see the bright part to the right, the mid tones to the left in the area of the girl with the floral dress and shadows to the upper-part of the frame.
This was underexposed. Most of the frames in the roll were shot for testing purposes and a few were of my friends so I omitted them.Sample Shots : Fuji Film Natura Classica, Natura NS
Great for in-doors. This is from my favourite bar for photographers at Tokinon. I will also advise you that you use a fast lens with this as you will probably not have a lot of light when shooting at night.
I have bad eyesight so please ignore the missed focus.Fujifilm Naturaa film that has the need for speed, in colour. While these days, inthere a few options for faster black and white negatives, options of colour negative are quite limited. For this reason Futuraalso known as Superia in some markets, was a breath of fresh air.
That is until in Fujifilm made the decision to discontinue Futura which pretty much killed off any fast colour negative options. It had already stopped sales of the Superia branded version inwhich was the brand used outside of Japan. But that does not mean we can use it now, I hear you say. Especially as prices of the expired rolls are skyrocketing. Yes, but it does mean that as a proven concept, it may be manufactured again. Especially if film photography continues to gain popularity. So where should you use this film?
With a box speed of ISOthe easy answer is to use it wherever there is low light, or you have a really slow lens, or both. The more complex answer is to use it where you require the most flexibility.
Fujifilm Natura Black F1.9
You do have to acknowledge though, that you are going to get the colour equivalent of grain. I was lucky in that I bought a couple of rolls of Natura just before it was discontinued in Japan. This was from an online retailer here in Australia that imports some Japanese only films. Where I think I was quite lucky is that I used it before the prices for what is left hit the roof. I would think twice about when to use it these days. Fujifilm is and was one of the big film manufacturers especially through the latter part of the 20 th century.
The rivalry was so intense that the two companies could be referred to by colours, Fujifilm green, Kodak Red. Fujifilm was started inbased in Tokyo, Japan. After World War II they began branching out into other mainly adjacent industries. This can be seen by the partnership with Xerox in which in itself was a major company for many decades. At times they even made some very revered cameras.
Using the Fujica and Fuji names and as Fujifilm they made cameras that tended to fill in specialty markets. In more recent times, for photography, they embraced digital and almost created their own niche of small compact cameras.
They even leveraged their history in film and created some very respected film simulations from these cameras. In terms of the film manufacturing, they also adapted this to making products like cosmetics. As much as Fujifilm is not liked by a number of film shooters, they are respected for their sound business modelling and ability to make decisions that benefit their shareholders. The Superia brand of film was introduced in and is still available now mainly as X-tra While the Superia range was mainly aimed at consumers, there were a few exceptions.
Reala was a Superia variant that was formulated specifically for portraits and skin tones.
Then there was the Press range, which has speeds ofand the is one of my all-time favourite films. These were professional films that basically used the same formula as the Superia films but were refrigerated at all stages of production and distribution. So, in reality Naturais the same as Superia and Press with the later only differentiated by the refrigerated storage.
Fuji Natura S Review – Wide and Fast – By Andrew
It was introduced in The Press variant was discontinued in Ok, so I have now had my Fuji Natura Classica for about 6 months and have played around with it sufficiently to finally give you guys a decent review. Let me start with the Pros:.
However, if you buy this camera with the intention of using it for what it was designed for, you will love it. I feel like both of these are really pretty, and I think I would have had a hard time getting natural light shots like these even with my FM2. Keep in mind that there are no other lights besides the Japanese laterns and fairy lights around the tent. Notice how the shadows and highlights have a great tonal range… not one bit of white on that table cloth is blown out hello, advantage of shooting film.True stories of marriage reconciliation
Viewfinder Theme by Themelantic. Powered by Tumblr. Fuji Natura Classica Review Ok, so I have now had my Fuji Natura Classica for about 6 months and have played around with it sufficiently to finally give you guys a decent review. It has a remote. So far this is my biggest problem. The aperture on the Fuji Natura Classica goes from 2. I would not use this camera at the beach, for example. Camera shake. Not unlike a Holga, you have to stop moving and hold the camera really still for a truly sharp image.
No manual settings. Generally it replicates the exact same light and color as the shooting situation.Posted by Bellamy Oct 9, Camera Geekery The amazing Fujifilm Natura S, faster than the speed of light Well, I was out shopping the other day and I came across this little gem.
The Fuji Natura S. This camera hold a special place in the hearts of camera collectors as it boasts possibly the fastest wide angle lens on a compact film camera. The 24mm f1. Fuji never released this camera outside of Japan, and they did not produce for a great deal of time either, so there are not many of them about. If you do find one, they are expensive, so it is best to get them when you see them. Officially there were three colours available; Aqua, Rose and Lavender, but in actuality there were also matt black, piano black and piano white cameras.
Plus a couple of different limited edition cameras…. The Fuji Natura s no slouch on the specs either, featuring an electronic leaf shutter, super quiet operation, fast autofocus, meter from iso 50 tobuilt in flash, close up parallax lines. This thing is a might big camera, stuffed into a tiny frame, it only weighs grams!
There is only one problem…. Fortunately they are not complicated, and after a short while you would be able to figure them out, but it can be a bit daunting.Recipe dataset
This is a very cool camera, and it has gone…. But I can get more, there are some around. If you would like a Natura S please let me know and I will get one for you. Then you can have the super fast, super light camera that nobody knows about. Camera hunter, photographer, camera geek, Tokyoite and Englishman all rolled into one gracefully balding package. I have been living and working in Tokyo for 14 years now and it is my home.
Tokyo is heaven for cameras and I know the secret spots and special places.Honda 250r
Let me be your 'camera enabler'. I have been looking for this camera for months! Would you be able to get one to ship to Australia? Is it too late?! I would love a natura!! I live in the US. I am afraid it is too late. This sold immediately. I can find a pink one for you though.I also have a habit of dropping low-ball bids on cameras under the assumption that someone else will come along and outbid me.
This is the story of how I wound up with two Fujifilm Natura S cameras; one finished in blue and the other finished in a lovely shade of lavender with factory adorned floral patterns.Omscs ai github
I planned to shoot a test roll through each and send them on their way. After the admittedly bad on my part test rolls and confirming the cameras worked, I loaded another roll and really tried to utilize the full field of view. Hmm, shooting this wide is kinda…fun? Then I made my fatal mistake; I loaded up a third roll…this time Fuji Trebi C a beautiful, Japan-only consumer slide film once produced by Fuji. The results blew me and any chance of selling both cameras away.
The blue one found a new owner. The lavender Fuji Natura s is sitting next to my computer as I type this. Last light on Fuji Pro The lens exhibits vignetting in dim, uniform light. The Fuji Natura S resembles an early s digital point and shoot, especially when you turn the camera over and see the massive LCD screen on the back. Since it was a Japan-only release, the menu is in Japanese.Klik klak kreveti forma ideale
As a truly pocketable point and shoot that sports a stellar 24mm f1. The Fuji Natura s became my commuter companion and I quickly realized how perfectly it would pair with my Fuji medium format camera for travel.
Loaded with the film it was made to be paired with, Fuji Naturathe Natura S shoots away in NP mode capturing night as if it were day. NP mode is automatically turned on when the camera is loaded with film iso or faster. This seems to work equally well for outdoor street scenes at night where streetlights and bright store windows may trick the meter into underexposing.
What this means is that you could never load up a roll of Tri-X and shoot it at I DX-hacked the canister to read as iso and had the film pushed 2 stops in development.
What I essentially did, thanks to the NP mode, was shoot the roll at and then pushed it 2 stops. See below for the result.
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